In light of insufficient state funding, he acknowledges that one must do several other professions in order to continue working as a dancer. In NO MONEY, NO LOVE, he demonstrates to the audience how one can still rehearse and produce a dance performance during work hours. In the second part of the trilogy, ART GIGOLORoller questions the relevance of dance as art and the concept of state cultural funding. What tax monies are actually danced away? Why must art pristina escort subsidized by the state? And how does a dancer justify what he does? In search of answers to the question of the value of his art, Roller focuses in ART GIGOLO on the position he takes in the labour market with his profession. He wants to know whether his work is even worth it: Using the methods of a managing consultant, he explores the economical and societal relevance of his art production. Here, he comes to the conclusion that art is never worth it when one begins to calculate. So he offers himself to his audience as an ART GIGOLO who satisfies his need for art arising from pure love. How does one behave as an pristina escort when the societal demand for art seems to pristina escort declined and state cultural funding has been cut so far that it no longer exists? Unable to answer this existential question as an artist whose work foundation is retracted, he interrogates himself in the form of five German taxpayers who share his name and subsidize the work of dancer Jochen Roller with their work. In the dialogues with these doppelgänger, he develops different models of a cultural-political view of the future marked by the work-related and sociological realities in which each Jochen Roller lives. Jochen Roller asks Jochen Roller about the value of art, what role art plays in the life of Jochen Roller and what Jochen Roller would like to see onstage. In this way, he hopes to find out what other Jochen Rollers do for society in his name and investigates the function of identity-creating work, in order to finally be able to answer the question of whether looking at dance as work is senseful — or senseless. Then the question goes back to what art is. And art is what an artist does, just sitting around in his studio.
Auswahl speichern. View Members! Christoph Strasser Extremsportler. DrTrigonBot Subster. What tax monies are actually danced away?
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