A television show about my twenties would follow the life of a girl who is lost, literally and figuratively. The show would open deep in my lost year —the year I drop out of college and disappear. With no ability to cope, and no way to ask for help, the main character—my character, me—is completely crazy. She makes a spectacular mess. A lot happens in the pilot. About ten days before the start of junior year, my character gets on a plane and abandons everything. She runs away to Arizona by way of a trip to San Francisco with a much older man she has only corresponded with via the Internet. She cuts off all contact with her family, her friends, or anyone who thought they knew her. She has no money, no plan, a suitcase, and a complete lack of self-regard. It is real drama. The rest of that first season is equally dramatic. She sits in a little, windowless booth and talks to strangers on the phone. She drinks diet soda from a plastic cup, sometimes with vodka, and does crossword puzzles. It is so easy to talk to strangers. There is an interesting cast. Her coworkers are girls who are also messy. They are different races, from different places, but all lost together. They give themselves names like China and Bubbles and Misty and at the end of a long shift they hardly remember who belongs to which name. My character has many different names. This is late-night television. China does heroin in the bathroom at work. Sometimes, she leaves a burnt strip of tinfoil on the counter. The manager calls them all into her office and yells. The girls will never rat China out. Bubbles has baby daddy problems. Sometimes, her man drops her off at work and the girls smoking in the parking lot watch as Bubbles and her man yell at each other, terrible things. In another episode, the baby daddy drops Bubbles off and they practically fuck in the front seat. Misty has been on her own since she was sixteen. She is very skinny and has scabs all over her arms and never seems to wash her hair. After most shifts, the girls go to Jack in the Box and then lay out by the pool of the house where my character is staying. The girls tell how to book a lesbian escort experience character how lucky she how to book a lesbian escort experience to live in a house with air conditioning. They have swamp coolers and live in crappy apartments. She ran away but still has something to run back to when she is ready. Every woman has a series of episodes about her twenties, her girlhood, and how she came out of it. Rarely are those episodes so neatly encapsulated as an episode of, say, Friends or a romantic comedy about boy meeting girl. Girls have been written and represented in popular culture in many different ways. Most of these representations have been largely unsatisfying because they never get girlhood quite right. It is not possible for girlhood to be represented wholly—girlhood is too vast and too individual an experience. We can only try to represent girlhood in ways that are varied and recognizable. We put a lot of responsibility on popular culture, particularly when some pop artifact somehow distinguishes itself as not terrible. In the months and weeks leading up to the release of Bridesmaids, for example, there was a great deal of breathless talk about the new ground the movie was breaking, how yes, indeed, women are funny. Can you believe it? There was a lot of pressure on that movie. Bridesmaids had to be good if any other women-driven comedies had any hope of being produced.
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